Joan Tower is widely regarded as one of the most important American composers living today. During a career spanning more than 50 years, she has made lasting contributions to musical life in the United States as composer, performer, conductor, and educator. Her works have been commissioned by major ensembles, soloists, and orchestras, including the Emerson, Tokyo and Muir quartets, soloists Evelyn Glennie, Carol Wincenc, David Shifrin, John Browning, and the orchestras of Chicago, New York, St. Louis, Pittsburgh, and Washington DC among others.
In 1990, Tower became the first woman to win the prestigious Grawemeyer Award for Silver Ladders. She was the first composer chosen for a Ford Made in America consortium commission of sixty-five orchestras. The Nashville Symphony and conductor Leonard Slatkin recorded that work, Made in America, with Tamborand Concerto for Orchestra for the Naxos label. The top-selling recording won three 2008 Grammy awards: Best Classical Contemporary Composition, Best Classical Album, and Best Orchestral Performance.
From 1969 to 1984, she was pianist and founding member of the Naumburg Award-winning Da Capo Chamber Players, which commissioned and premiered many of her most popular works. Her first orchestral work, Sequoia, quickly entered the repertory. Tower's tremendously popular five Fanfares for the Uncommon Woman have been played by over 500 different ensembles. She is currently Asher Edelman Professor of Music at Bard College, where she has taught since 1972.
Tower recently concluded her 10-year tenure as composer-in-residence with the Orchestra of St. Luke's. Other residencies have included the St. Louis Symphony, the Deer Valley Music Festival, the Yale/Norfolk Chamber Music Festival. She is the Pittsburgh Symphony Orchestra's Composer of the Year for the 2010–2011 season, which includes the orchestra's commissioned premiere ofStroke in May 2011. Also in May 2011, New York City's Miller Theatre surveys a rich collection of Tower's chamber music on one of its portrait concerts with a program almost entirely composed during the last decade.
Among her recent premieres: White Granite (2009), commissioned by St. Timothy's Summer Music Festival, Bravo! Vail Valley Music Festival, and La Jolla Music Society for SummerFest;Angels (2008), her fourth string quartet, commissioned by Music for Angel Fire and premiered by the Miami String Quartet; Dumbarton Quintet (2008), a piano quintet commissioned by the Dumbarton Oaks Estate (their third commission after Stravinsky and Copland) and premiered by Tower and the Enso String Quartet; Chamber Dance (2006), commissioned, premiered, and toured by Orpheus; and Copperwave (2006), written for the American Brass Quintet and commissioned by The Juilliard School of Music. A Gift (2007), for winds and piano, was commissioned by Chamber Music Northwest and premiered by the The Chamber Music Society of Lincoln Center (CMS). Other CMS premieres included Trio Cavany (2007) and Simply Purple (2008) for viola, performed by Paul Neubauer.
Her compositions cross many genres: Can I (2007) for youth chorus and two percussionists; Copperwave (2006), written for brass quintet; DNA (2003), a percussion quintet commissioned for Frank Epstein and the New England Conservatory Percussion Ensemble; Fascinating Ribbons(2001), her foray into the world of band music, premiered at the annual conference of College Band Directors; Vast Antique Cubes/Throbbing Still (2000), a solo piano piece for John Browning; Tambor (1998), for the Pittsburgh Symphony under the baton of Mariss Jansons; and her ballet Stepping Stones (1993), commissioned by choreographer Kathryn Posin for the Milwaukee Ballet and revisited by Posin with the Bulgarian Ballet in June 2011.
In 1990, Tower became the first woman to win the prestigious Grawemeyer Award for Silver Ladders. She was the first composer chosen for a Ford Made in America consortium commission of sixty-five orchestras. The Nashville Symphony and conductor Leonard Slatkin recorded that work, Made in America, with Tamborand Concerto for Orchestra for the Naxos label. The top-selling recording won three 2008 Grammy awards: Best Classical Contemporary Composition, Best Classical Album, and Best Orchestral Performance.
From 1969 to 1984, she was pianist and founding member of the Naumburg Award-winning Da Capo Chamber Players, which commissioned and premiered many of her most popular works. Her first orchestral work, Sequoia, quickly entered the repertory. Tower's tremendously popular five Fanfares for the Uncommon Woman have been played by over 500 different ensembles. She is currently Asher Edelman Professor of Music at Bard College, where she has taught since 1972.
Tower recently concluded her 10-year tenure as composer-in-residence with the Orchestra of St. Luke's. Other residencies have included the St. Louis Symphony, the Deer Valley Music Festival, the Yale/Norfolk Chamber Music Festival. She is the Pittsburgh Symphony Orchestra's Composer of the Year for the 2010–2011 season, which includes the orchestra's commissioned premiere ofStroke in May 2011. Also in May 2011, New York City's Miller Theatre surveys a rich collection of Tower's chamber music on one of its portrait concerts with a program almost entirely composed during the last decade.
Among her recent premieres: White Granite (2009), commissioned by St. Timothy's Summer Music Festival, Bravo! Vail Valley Music Festival, and La Jolla Music Society for SummerFest;Angels (2008), her fourth string quartet, commissioned by Music for Angel Fire and premiered by the Miami String Quartet; Dumbarton Quintet (2008), a piano quintet commissioned by the Dumbarton Oaks Estate (their third commission after Stravinsky and Copland) and premiered by Tower and the Enso String Quartet; Chamber Dance (2006), commissioned, premiered, and toured by Orpheus; and Copperwave (2006), written for the American Brass Quintet and commissioned by The Juilliard School of Music. A Gift (2007), for winds and piano, was commissioned by Chamber Music Northwest and premiered by the The Chamber Music Society of Lincoln Center (CMS). Other CMS premieres included Trio Cavany (2007) and Simply Purple (2008) for viola, performed by Paul Neubauer.
Her compositions cross many genres: Can I (2007) for youth chorus and two percussionists; Copperwave (2006), written for brass quintet; DNA (2003), a percussion quintet commissioned for Frank Epstein and the New England Conservatory Percussion Ensemble; Fascinating Ribbons(2001), her foray into the world of band music, premiered at the annual conference of College Band Directors; Vast Antique Cubes/Throbbing Still (2000), a solo piano piece for John Browning; Tambor (1998), for the Pittsburgh Symphony under the baton of Mariss Jansons; and her ballet Stepping Stones (1993), commissioned by choreographer Kathryn Posin for the Milwaukee Ballet and revisited by Posin with the Bulgarian Ballet in June 2011.
